This diagram shows the places of residence of project participant Rebecca Mertens according to various spatial categories (private, isolated, cultural, public).
born in 1976, Rebecca took part in the Prison Wear Collection project that was held in the women’s correctional facility in Vechta, Lower Saxony, in 2000/2001 and during this time she becomes clean. After completing the project, she entered inpatient therapy for the first time, where she was confronted with the causes of her illness. In the second phase of the therapy under semi-open supervision, she had a relapse, lived on the streets from prostitution, and was imprisoned again a short time later. Rebecca Mertens’ life is characterised by the revolving door effect and is exemplary in this respect, while her radical openness and self-examination are extraordinary. The collaboration with her has been intense from the beginning and continues to this day, despite long breaks. Her biography is the strongest call to register and conduct further research into the living conditions of women in European prisons before and after the onset of their drug addiction disease.
as well as graphs, digital drawings, statistics, etc., assemble and visualise empirically collected data and facts from criminal records. The criminal offenses of the respective project participant are depicted in this way (see the diagram Criminal Offenses I), which resulted in conviction and imprisonment, as well as the criminal offenses committed against her, including their consequences (see the diagram Criminal Offenses II). In conjunction with the events given in the “basic” biography and the notes from memory protocols of countless conversations (in person, by telephone, and in writing) that Ulrike Möntmann conducted with the participants, the specific conditions, patterns, and recurring consequences are illustrated and contextualised.